women enjoy the dance! I approach a woman and ask her to dance, she replied that all worried about me going to school "only" 3 months ...
dance with a girl and she does an infinite number of steps instead of three classic over the break, just because he can not keep time but want to show that he can dance and move quickly ... you know
In another every time I try to drive it into a movement, do you think you understand my guide and rushes, also anticipating the timing of steps to make its head in the opposite direction or movement to which I was wearing ...
Finally a decent dance with another partner, you certainly will not be very good, but fails to follow at some point there is a misunderstanding and she is doing?
stop with the sad look and I apologize because it was wrong ...
Well, this imagined sequence of dances to leave a little bitter taste probably because both the approach that these women had to dance was certainly not the best.
dear friend, often your teachers or your partner will have responsibility overfilled causing you to lose the flavor of the dance.
It 's true that one of the most difficult tasks by man is driving, and that the woman must acquire the sensibility that allows her to understand that leadership and technical capacity that enables it to perform the best of what the man is showing, but during the dance the most important (to the move in time, and in this I repeat constantly) is just the fun either.
But then, when we go to dance, entertain us know?
We abandon each other's arms?
Apparently not, at least considering so many similar situations.
Friends, reset a moment as we have been led to believe up until now and let's find harmony and pleasure that we would expect to find dancing.
When we dance, at least temporarily get rid of our daily problems, not other creiamocene unnecessary.
All women who find themselves in the examples I gave above, they should let go a little more at that time.
years ago with a Brazilian girl dancing when I was told a simple step that conveys much of the dancing couple in the room: "We dance for ourselves, not for others."
With that simple phrase meant to say that it is important in dance, was find the feeling of torque, the search for complicity quell'affiatamento, even momentary, between partners, no matter that they are watching or not, because she, the woman, if she danced for and with her man Nothing else matters, and the same for the man dancing with his partner and guiding it to the tempo of the music bringing light on a cloud as white and soft.
are the vibrations of music coming into harmony with our body, it vibrates to the music, but the vibrations of the two partners are in harmony with one another that excites us.
Time is everything in the dance, or at least most, but recognize the time right at the beginning is not easy.
Unlike our South American cousins, we're not hearing those born pace since we were in the belly of the mother, and how many instruments unknown to us we find in that music!
The woman who still has difficulty recognizing the times in which dance, has the ability to physically lean on his dancing, letting go, feeling that his leadership will bring it to move the body at the right time and in the appropriate direction.
learn over time, dancing, to recognize the times when you spread around.
often danced with women, even good, with I had not danced before, or guiding them into a shape that they have never done before, I would say: "These figures do not know" or, "I did everything, you made me do so many twists and turns but I did not understand what you made me do. "
The figures in the Caribbean dances are more like the beginning, to help the boys in their task of building a kind of choreography just when you're dancing, and their partners with little experience and sensitivity still to be finalized to understand what your dancer is trying to communicate only with the touch of hands, but when it progresses they tend to move away from the performance of sterile Figures learned during dance classes and hurl themselves in new situations, less monotonous, more relevant to the music of the moment and the feeling created in the couple, the mood of the dancers and their personal tastes.
We often begin a figure, only part of it, and switch to another without completing the previous one, as often the woman to dance with a dancer who follows or has followed a course in another school and learned different figures from what he learned, and then he should do?
He stops and apologizes because he has learned from his teacher that figure, or let the man to lead it into something again, perhaps more involving, perhaps some special step or movement that he "invented on the spot just for her, because at that time all of the music, the mood, the feeling reached the door to drive in that way?
Friends, unanticipated movements of him thinking that you understand you have to do, on the contrary, empty your mind for a few minutes.
A barrel full of cheap wine can not contain anything more, clear the barrel so that it can fill a valuable new nectar and let it ferment until it becomes a fine wine.
So for both partners, clear our heads from the everyday problems and we do not care who sees us if we are appreciating it or not, we live those moments of dancing by letting you replace those thoughts with joyful feelings that so many endorphins in your spare time to give us a wonderful and indelible memory of those few minutes.
learn together to enjoy every moment of dancing in couples, in the magic of those moments, because the dance is this, do not show off, but magic, sweetness and deep involvement of both.
