Jeena Jameson Piercing

Doom The Good shepeherd

Directed by: Robert de Niro
Cast: Matt Damon, Angelina Jolie, John Turturro, William Hurt, Robert de Niro, Alec Baldwin
Screenplay: Eric Roth
Length: 167 'Production
: USA
Year: 2007

The life of Edward Wilson, a young student of poetry a founding member of the CIA: the duties, the love, the pain of a secret agent against himself himself and his family.

De Niro and the camera: a history that began thirteen years ago with Bron x, and now, finally found the right balance with screenwriter Eric Roth may continue, despite the large amount of time left to pass.
The Good Shepherd is an intricate and grandiose fresco that, through the eyes of an unusual stone Matt Damon, leads to a reading without the rhetoric of a cynical world and double agent, such as that of the secret services. Edward Wilson sacrifice their lives, loves and loved ones, with the mandate that it has undertaken to complete. And the film is a journey already calculated in detail, which explores, dissects, analyzes thirty years of its existence, the first tender heartbeat, passing through a stormy shotgun wedding, and then to England via the Second World War, and finally concluding with the delicate period of the Cold War and dell'ordigno Cuban, always ready to explode.
The method chosen is a complicated sequence of events, woven on two different time lines (present - the 1961 - and past), carriers at the same time fascinating narrative but also a dislike of confusion or because an excessive amount of information that affects the viewer, or, more than anything, a preference for the preferred image explanatory dialogues, leaving only keen eyes can fully understand the development of the tangled affair.
De Niro, in fact, very careful, too, in the definition of visual detail. No directorial virtuosity or stain to be clear, in fact, plenty of technique, but the thickness of which is steeped in The Good Shepherd struggling to come out completely through a single vision. And even the high playing time help in the difficult task of squaring the circle. On the other hand, Roth's script (he is remembered as the mastermind behind narrative Forrest Gump Zemeckis and Steven Spielberg's Munich ) Goduria is pure structure, demanding at least for the viewer, given the infinite number of topics touched upon, now more superficially, now with more heart and passion, and the game snap, satisfying, even exhilarating in specific segments. The combination of De Niro
-Roth, then, operates in half. Taken individually demonstrate cinematic delicacies ripping applause, but aggregated, unfortunately, fail to bring out one another's work as it should. Too precise, directed by De Niro for the depth of the screenplay, too structured for the plot of Roth's art direction, too tied to just gaze interpretation.
The result is still a great magic fiction film that, despite a kind of heaviness of funds due to the cumbersome nature of everything, he knows to catch the eye of the viewer engaged pretentious. This thanks to the titanic pregevolezza cast, with a statuesque Matt Damon, impassive and personification of the cold-hearted, going for a job exorbitant heard John Tourturro, the sweetness and the feeling of a beautiful Angelina Jolie, without forgetting the a precious cameos invecchiatissimo Joe Pesci and De Niro the same with emotions despite the small small part Set aside.