Monday, April 16, 2007

Mother Mastrabating With Daughter

Slither

Director: James Gunn
Cast: Nathan Fillion, Elizabeth Banks, Michael Rooker, Gregg Henry, Brenda James
Screenplay: James Gunn
Production: USA
Year: 2006
Length: 90 '

A meteorite from outer space falls deeper on the town of Wheelsy. It is the unfortunate Grant Grant the first to see it, and above all to get acquainted with what is hidden inside the space rock, since, after the point man, the alien thing gradually transforms into a deformed monster tentacle. It is therefore time to implement the plan for the conquest of Earth. Infected whore that Brenda, Grant makes her a sort of gigantic uterus for a host of slimy slugs and certainly not very friendly. In turn, the snails - which are naturally born for a reason anything but evolutionary - infect one after another all the inhabitants of Wheelsy, in mutandoli stupid zombies. It's up
ingenuous police captain Bill Pardy and Grant's wife, Starla, to try to stop the alien invasion. The results were much better comedians than expected.

piles and piles of rave reviews, critics unanimously positive feedback euphoric, that weave exclusively praise for his debut behind the bedroom wall James Gunn. Are they right? Of course, Gunn fabric, you can see a mile away, and although Slither (in his irresistible comic verve and bloody) is nothing but a heartfelt tribute to b-movies that were the most popular long ago, what it takes to become a cult has it all.
James Gunn, from his considerable experience as a writer (at the service of his majesty Lloyd Kaufman, to name just a name), managed to gather only the best of its production, and stain to avoid various pitfalls that we still can always expect from a debut. From script Tromeo & Juliet inherits the irony and the frequent turns splatter film, the two Scooby Doo horrorifica a nice atmosphere, but never too scary, while the remake of Dawn of the Dead , Action hectic and fast (leaving home for luck in the protagonists psychological excessive subsidence and certain structural weaknesses that were not run so well the pseudo remake of the masterpiece Romero).
Slither This is because, ultimately, is a nice film. Not a horror-comedy tout court (there are not many comedians), much less a horror film - seen as such - tinged with irony (the dial frightening is practically absent). Slither is Shaun of the Dead. Slither, simply, is a nice film. On the funny and carefree atmosphere of conduct so fair, but grotesquely realistic of the characters, and never too terrifying monsters - That almost seems to be having fun, too.
Slither is basically an honest film, a bow and a thank you to the horror of the past, that derived tin cans, foam costumes, and plenty of good will. Slither is basically the result of a person who loves horror. And this idea works better than many other words used inappropriately.
James Gunn, in the dual roles of writer and director, is in form, giving rise to his most successful creation, simple and derivative, what you want, but felt tremendously. Script sincere, fun, flowing with good skill from top to bottom, great director, which also features a couple of really found hilarious (the prologue, exceptional for the way in which it takes around a certain way of doing horror).
Ben took the persistent presence of sequences rather disgusting and full of offal is astounding, because of the likely target that is addressed here in this film, but do not ever say no to a good dose of gore.
The cast is outstanding for the presence of Michael Rooker (Henry - Raining blood ), ridiculous and naive bastard man in love, both in normal human form, and in those rubbery and tentacled alien hybrid. Truly exquisite test Nathan Fillion, clumsy police captain, the easy joke and the equally bizarre behavior easy. Elizabeth Banks beautiful at last, perhaps deserves more praise for his qualities as a woman than for acting, but basically blends well with the rest of the actors.
Slither is - and I will remain for quite a while '- one of the best examples of cinema. Period. Beyond the horror, monsters, blood and violence, passion and devotion Slither oozes from every inch of film. And so the film should be.

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